Exposition
The plot is almost beside the point, and the story and setting are little more than an excuse for the brothers to run amok. The film is notable for its musical "production numbers" similar to those used in the 1930s by Busby Berkeley, including techniques which were soon to become standard, such as overhead shots of dancing girls imitating the patterns of a kaleidoscope. The musical numbers were recorded live on the soundstage as they were shot, rather than pre-recorded, with an off-camera orchestra. The main titles are superimposed over a negative image of the "Monkey-Doodle-Do" number photographed from an angle that does not appear in the body of the film.
One of the more famous gags in the film has Groucho giving directions to Chico, who keeps misunderstanding "viaduct" as "why-a-duck". In another sequence Groucho is the auctioneer for some land of possibly questionable value ("You can have any kind of a home you want to; you can even get stucco! Oh, how you can get stuck-oh!") He has hired Chico to artificially "bid up" during the auction. To Groucho's frustration, Chico keeps outbidding everyone, even himself. Still another sequence has Groucho, and later the necklace thief, perform a formal speech. Harpo repeatedly walks off, with a grim look on his face, to the punch bowl. (It is implied that the fruit punch has been spiked with alcohol). Another highlight is when the cast, already dressed in traditional Spanish garb for a theme party, erupts into an operatic treatment about a lost shirt to music from Carmen.
Read more about this topic: The Cocoanuts
Famous quotes containing the word exposition:
“Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.”
—Julia Marlowe (1866–1950)
“Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“Men are like plants; the goodness and flavor of the fruit proceeds from the peculiar soil and exposition in which they grow. We are nothing but what we derive from the air we breathe, the climate we inhabit, the government we obey, the system of religion we profess, and the nature of our employment.”
—Michel Guillaume Jean De Crevecoeur (1735–1813)