Production
Writer Ian Maxtone-Graham, a former resident of New York, had conceived the idea of having the family travel to the city to locate their missing car and believed it to be "a classic Manhattan problem". Bill Oakley, who had visited the World Trade Center when the construction of the towers was completed in 1973, suggested parking the car in the plaza of the buildings. Josh Weinstein observed that, "When we realized that there was a plaza between the two towers, we knew it was a perfect spot to have Homer's car."
The animators were told to make a detailed replica of the city. David Silverman was sent to Manhattan to take hundreds of pictures of the city and areas around the World Trade Center. When he returned, Lance Wilder and his team spent time creating new scenes and backgrounds, incorporating small details such as signs and hundreds of extras that would correctly illustrate the city. Oakley and Weinstein were pleased with the final results, and both noted that the buildings, streets, and even elevator cabins were detailed closely to their real life counterparts. In the final scene, as the family is seen driving away from New York on the George Washington Bridge, the credits roll with the "camera" gradually pulling back from a view of the car, to a view of the side, and then on to a panorama view of the city; as if the whole sequence was being shot from a helicopter. To achieve this effect, a computer model of the bridge pulling out was made and then was printed out. With the print outs, photocopies were made traced onto the animation cells. The process took a long time and was expensive, as the use of computer animation was not widespread when the episode was produced. Director Jim Reardon wanted to replicate films that ended in a similar way, and commented that, "I remembered that every movie located in New York would pull back if you were leaving town on a bridge." Shortly before the episode aired, the production staff contacted Fox to make sure they would not run commercials during the credits.
Ken Keeler, who wrote the lyrics for the "You're Checkin' In" musical number, spent two hours in a room alone to write the song. Upon sharing the lyrics with the rest of the production staff, some revisions were made, although little was changed. Bill Oakley was unsatisfied with the part of the musical where the actor claims, "Hey, that's just my Aspirin!", claiming that a better line could have been written.
Read more about this topic: The City Of New York Vs. Homer Simpson
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)