Reception
Upon its 1965 release, The Cincinnati Kid was favorably reviewed by Variety which wrote "Martin Ransohoff has constructed a taut, well-turned-out production. In Steve McQueen he has the near-perfect delineator of the title role. Edward G. Robinson is at his best in some years as the aging, ruthless Lancey Howard...." Howard Thompson of The New York Times called the film a "respectably packaged drama" that is "strictly for those who relish—or at least play—stud poker" and notes that the "film pales beside The Hustler, to which it bears a striking similarity of theme and characterization." Time magazine also noted the similarities to The Hustler, saying "nearly everything about Cincinnati Kid is reminiscent" of that film, but falls short in the comparison, in part because of the subject matter:
- Director Jewison can put his cards on the table, let his camera cut suspensefully to the players' intent faces, but a pool shark sinking a tricky shot into a side pocket undoubtedly offers more range. Kid also has a less compelling subplot. Away from the table, McQueen gambles on a blonde (Tuesday Weld) and on the integrity of his dealer pal, Karl Malden. Pressure comes from a conventionally vicious Southern gentleman (Rip Torn), whose pleasures include a Negro mistress, a pistol range adjacent to his parlor, and fixed card games. As Malden's wife, Ann-Margret spells trouble of another kind, though her naive impersonation of a wicked, wicked woman recalls the era when the femme fatale wore breastplates lashed together with spider web. By the time all the bets are in, Cincinnati Kid appears to hold a losing hand.
A retrospective review published by the New York State Writers Institute of the University at Albany also noted the similarities the film had to The Hustler, but in contrast said The Cincinnati Kid's "stylized realism, dreamlike color, and detailed subplots give a dramatic complexity and self-awareness that The Hustler lacks.
Blondell was singled out for her performance as Lady Fingers with an award from the National Board of Review of Motion Pictures and a Golden Globe nomination for Best Supporting Actress. Motion Picture Exhibitor magazine nominated Robinson for its Best Supporting Actor Laurel Award.
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