Production
While working at a Hollywood talent agency Arie Posin had been writing scripts for 10 years, "trying to break in" the film industry, when he decided that he would rather be a director than a screenwriter. Posin asked writer Zac Stanford to write the screenplay for The Chumscrubber based on his idea. Because they collaborated on the story, Posin later described the film as "rooted somewhere between" his own memories of growing up in suburban Irvine, CA and Stanford's upbringing in a small town in the Pacific Northwest. Posin and Stanford had originally planned to shoot the film with their own money. Posin's girlfriend suggested that he send the script to five producers; one, Lawrence Bender, responded and passed the script on to his partner Bonnie Curtis. Posin and the producers brought the project to around sixty uninterested production companies before sufficient funds for the US$10 million budget were raised and production began.
Posin considered numerous other actors for the lead role of Dean before he decided to cast Jamie Bell. Auditions for the role spanned over a year, and Posin said that he met "probably every young actor in Hollywood between a certain age". For the role of Crystal, Posin sought a beautiful but fragile actress. He chose Camilla Belle after she auditioned, and according to him, "She just was the character". Posin wanted an actor similar to Ralph Fiennes to play Michael, but was surprised when Fiennes himself agreed to be in the film. Justin Chatwin, a Billy Wilder fan, was drawn to the script after hearing that Posin had trained with Wilder. Ben Kingsley and Robin Williams were set to star in the film at different points in pre-production.
Principal photography of The Chumscrubber began in April 2004 and lasted for 30 days. Filming locations included Valencia, Los Angeles, and Santa Clarita of California, as well as two soundstages.
Read more about this topic: The Chumscrubber
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (19131960)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)