History
The village of Calumet was a prosperous community at the close of the nineteenth century, primarily due to the rich vein of copper mined by the Calumet and Hecla Mining Company, located just south and east of the village. In 1898, the community decided that an opera house was required to serve the people of Calumet. Local architect Charles K. Shand was chosen to design the building, and Chicago interior designer William Eckert developed a crimson, gold, and ivory color scheme for the interior.
The theatre opened on March 20, 1900, with the operetta The Highwayman, by Reginald De Koven and Harry B. Smith, on tour from Broadway. The theatre was one of the first municipal theatres in the country. It soon attracted attention from America's finest actors, actresses, and other theatre greats, such as Frank Morgan (later famous for his roles in The Wizard of Oz), Douglas Fairbanks, Sr., Lon Chaney, Sr., John Philip Sousa, Sarah Bernhardt, and Madame Helena Modjeska among others.
As time wore on, the theatre began to lose popularity, due mostly to the decline of the local economy and the increasing popularity of movies. In the late 1920s, the theatre converted to a motion-picture house, serving in this medium until the 1950s. Summer stock theatre was brought back to the Calumet Theater in 1958, and performed there every summer until 1968, and returned in 1972.
In 1975, the auditorium was restored for the centennial of Calumet. In 1988-89, the exterior of the theatre was restored.
In 1983, the Calumet Theatre Company was incorporated as a non-profit organization. Five staff members and several volunteers help to operate the Theatre. Today, the Calumet Theatre is home to as many as 60 theatre-related events a year, with an estimated 18,000 people attending.
Read more about this topic: The Calumet Theatre
Famous quotes containing the word history:
“Classes struggle, some classes triumph, others are eliminated. Such is history; such is the history of civilization for thousands of years.”
—Mao Zedong (18931976)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (18881959)
“All history is a record of the power of minorities, and of minorities of one.”
—Ralph Waldo Emerson (18031882)