The Busboy - Production

Production

Castle Rock Entertainment produced Seinfeld, and the show was distributed by Columbia Pictures Television and Columbia TriStar Television. Seinfeld was aired on NBC in the United States. The producers of the show were Larry David, George Shapiro, Howard West, Tom Gammill, and Max Pross. Bruce Kirschbaum was the executive consultant. Tom Cherones directed all episodes of the season. Series co-creators Larry David and Jerry Seinfeld wrote eight of the season's episodes. The writing staff was joined by Larry Charles, who wrote three episodes, and Peter Mehlman, who wrote "The Apartment".

Starting with the season premiere, filming of the show moved from Desilu Cahuenga, in Hollywood, California, to CBS Studio Center, in Studio City, Los Angeles, California. Tom Azzari worked as set designer during season two; he often re-used sets from the first season, because Castle Rock Entertainment had rented a large storage facility in which sets were stored, to save money. Although the scenes in Monk's Cafe were filmed at CBS Studio Center, the exterior of Tom's Diner, a diner at the intersection of Broadway and 112th Street in Manhattan, was used as the exterior for the cafe. The second season of Seinfeld was supposed to start airing on January 16, 1991, but the premiere was postponed one week because of the commencement of the first Gulf War.

Read more about this topic:  The Busboy

Famous quotes containing the word production:

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)