The Boys On The Bus

The Boys on the Bus (1973) is author Timothy Crouse's seminal non-fiction book detailing life on the road for reporters covering the 1972 United States presidential campaign.

The book was one of the first treatises on pack journalism ever to be published, following in the footsteps of Gay Talese's 1969 "fly on the wall" look into the New York Times called The Kingdom and the Power.

The Boys on the Bus evolved out of several articles Crouse had written for Rolling Stone. When released, the book became a best-seller and is still in print today, often being used as a standard text in many university journalism courses.

Several very recognizable reporters, whose bylines could be seen into the 21st century, are at turns critiqued, lampooned and glorified within the book, including R.W. "Johnny" Apple, Robert Novak, Walter Mears, Haynes Johnson, David Broder, Hunter S. Thompson and Jules Witcover, not to mention the politicians they were covering: Richard M. Nixon and George McGovern. Later editions of the book contain a foreword by Thompson.

Famous quotes containing the words boys and/or bus:

    The hotel was once where things coalesced, where you could meet both townspeople and travelers. Not so in a motel. No matter how you build it, the motel remains the haunt of the quick and dirty, where the only locals are Chamber of Commerce boys every fourth Thursday. Who ever heard the returning traveler exclaim over one of the great motels of the world he stayed in? Motels can be big, but never grand.
    William Least Heat Moon [William Trogdon] (b. 1939)

    An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
    Eleanor Robson Belmont (1878–1979)