The Boy (musical) - Roles and Original Cast

Roles and Original Cast

  • Horatio Meebles (Magistrate of Bromley Street Police Court) – W. H. Berry
  • Millicent Meebles (Late Cavanagh) – Maisie Gay
  • Hughie Cavanagh (Her Son) – Donald Calthrop
  • Diana Fairlie (Her Sister) – Nellie Taylor
  • Colonel Bagot (From Bengal, Retired) – C. M. Lowne
  • Albany Pope (of Lloyd's) – Peter Gawthorne
  • Joy Chatterton (a Flapper) – Billie Carleton (replaced in 1918 by Nellie Briercliffe)
  • Katie Muirhead (Hughie's Music Mistress) – Heather Thatcher
  • Mr. Burridge (Magistrate of Bromley Street Police Court) – W. H. Rawlins
  • Juniori Fratti (Proprietor of the Cosmos) – André Randall
  • Napoleon (a Waiter) – T. Del Lungo
  • Mr. Honeyball (Chief Clerk at Bromley Street) – George Elton
  • Inspector Eason, Sergeant Dix, and Constable Styles (of the Metropolitan Police) – F. Russell, W. Matthews and George Wilson
  • Cash (Servant at the Meebles') – Eddie Garr
  • Turner (Maid at the Meebles') – Dorothy Munroe
  • Cuthbert Sutton, Lyall Hewson-Galway, and an Elderly Lady (Guests at the Meebles') – R. G. Sydney, H. B. Lane and Marie Clavering
  • Tich Ridley (a Young Man) – P. Madgewick
  • Doris Cuddley and Winnie Sweet (Friends of Joy) – Gwen Hughes and Dora Fraser
  • Principal dancers – Betty Blake and Jean Castaner

Read more about this topic:  The Boy (musical)

Famous quotes containing the words roles and, roles, original and/or cast:

    A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.
    Nancy Chodorow (20th century)

    Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.
    Sylvia Ann Hewitt (20th century)

    Wit is often concise and sparkling, compressed into an original pun or metaphor. Brevity is said to be its soul. Humor can be more leisurely, diffused through a whole story or picture which undertakes to show some of the comic aspects of life. What it devalues may be human nature in general, by showing that certain faults or weaknesses are universal. As such it is kinder and more philosophic than wit which focuses on a certain individual, class, or social group.
    Thomas Munro (1897–1974)

    I say that male and female are cast in the same mold; except for education and habits, the difference is not great.
    Michel de Montaigne (1533–1592)