Plot
Dr. Sharon Golban (Williams) finds an ancient skeleton in Jerusalem in a rich man's tomb. Coloration of the wrist and ankle bones indicates the cause of death was crucifixion. Several artifacts, including a gold coin bearing the marks of Pontius Pilate and a jar dating to 32 A.D., date the tomb to the year Christ died. Faint markings on the skull consistent with thorns,the absence of broken leg bones, occupational markers suggesting the deceased was a carpenter, and a nick on the ribs from a pointed object lead authorities to suspect that these could be the bones of Christ. The different reactions of politicians, clerics, religious extremists— some prepared to use terror to gain their ends—to the religious, cultural and political implications of the find, make life difficult and dangerous for the investigators as they seek to unearth the truth.
Father Matt Gutierrez is assigned by the Vatican to investigate the case and to protect the Christian faith. He sets out to prove that the bones are not those of Jesus, but as there is more and more evidence to support the claim, his faith begins to waver. Troubled by the case, he turns to Father Lavelle (Derek Jacobi) who commits suicide because he cannot reconcile the scientific evidence with his faith. This event causes Father Gutierrez to turn from his faith, but he comes back to it in the end. He also comes to understand that it is the Catholic Church that he is protecting and not the faith, and decides to resign from his priesthood.
Read more about this topic: The Body (2001 Film)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)