The Blithedale Romance - Context of "The Blithedale Romance"

Context of "The Blithedale Romance"

The Blithedale Romance is a work of fiction based on Hawthorne's recollections of Brook Farm, a short-lived agricultural and educational commune where Hawthorne lived from April to November 1841. The commune, an attempt at an intellectual utopian society, brought together many famous Transcendentalists such as Ralph Waldo Emerson and Margaret Fuller. In the novel's preface, Hawthorne describes his memories of this temporary home as "essentially a daydream, and yet a fact" which he employs as "an available foothold between fiction and reality." His feelings of affectionate scepticism toward the commune are reflected not only in the novel, but also in his journal entries and in the numerous letters he wrote from Brook Farm to Sophia Peabody, his future wife.

Hawthorne's claim that the novel's characters are "entirely fictitious" has been widely questioned. The character of Zenobia, for example, is said to have been modelled upon Margaret Fuller, an acquaintance of Hawthorne and a frequent guest at Brook Farm. The circumstances of Zenobia's death, however, were not inspired by the shipwreck that ended Fuller's life but by the suicide of a certain Miss Martha Hunt, a refined but melancholy young woman who drowned herself in a river on the morning of July 9, 1845. Hawthorne helped to search for the body that night, and later recorded the incident at considerable length in his journal. Suggested prototypes for Hollingsworth include Bronson Alcott, Ralph Waldo Emerson, and Horace Mann, while the narrator is often supposed to be none other than Hawthorne himself.

Read more about this topic:  The Blithedale Romance

Famous quotes containing the words context of, context and/or romance:

    Among the most valuable but least appreciated experiences parenthood can provide are the opportunities it offers for exploring, reliving, and resolving one’s own childhood problems in the context of one’s relation to one’s child.
    Bruno Bettelheim (20th century)

    The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.
    Germaine Greer (b. 1939)

    The cowboy ... is well on his way to becoming a figure of magnificent proportions. Bowlegged and gaunt, he stands as the apotheosis of manly perfection. Songs, novels, movies, magazines, and operettas have made the least inquiring of us well acquainted with his extraordinary courage, unfailing gallantry, and uncanny skill with gun or lariat. The farmer, meanwhile, sits stolidly on his tractor, bereft of romance and adventure.
    —For the State of Kansas, U.S. public relief program (1935-1943)