Production
The season was a co-production of France's TF1, its subsidiaries Protécréa and Banco Production, and Canada's TVA International. It was produced in association with France's Sofica Valor 6 and Luxembourg's Melusine, and with the participation of the Centre National de la Cinématographie (CNC). Production began in late 2000 at a cost of €380,000 (C$610,000) per episode. Graphics and Animation of Antwerp, Belgium, a sudsidiary of Luxembourg's Studio 352, designed the layouts for these episodes, and North Korea's SEK Studio handled overseas animation duties. Premium Sound, based in Montreal, was responsible for the sound effects, design, dialogue editing, foley and mix. Early during the show's production, the crew created a one-minute promotional pilot, in which a little mouse tells of the show's premise and introduces its main characters.
This season represented TF1 International at the conferences of the National Association of Television Program Executives (NATPE) in early 2001 and 2002, and MIPTV Media Market in April 2001. For both events, the four episodes were promoted as "specials".
The first two episodes of the series were planned to air on TF1 in November 2001, with the next two to follow in December. Ultimately, all four premiered in late December on TF! Jeunesse.
Read more about this topic: The Bellflower Bunnies (season 1)
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)