Musical Numbers
- Act I
- Introduction
- Scene 1
- No 1 - Click, clack - Duet - Simon and Joan
- No 2 - Hobble, hobble, and now we've caught her - Simon, Joan, Chorus
- No 2a - Maidens and men of Mirlemont town - Soprano chorus
- No 3 - Dear Mary Mother - Prayer - Laine
- No 4 - Who stands within? - Quartet (Laine, Joan, Simon, The Devil)
- No 5 - Since it dwelt in that rock - Recit and Song - The Devil
- Scene 2
- No 6 - The bells are ringing o'er Mirlemont Town - Chorus
- No 7 - My Name is Crazy Jacqueline - Jacqueline, The Devil
- No 7a - Entrance of the Burgomaster and Crowd - Chorus
- No 8 - Songs of the Competitors
- No 9 - Finale Act I
- - Go, Bring Forth Old Simon's Daughter - Company
- - O turn thine eyes away - Saida (Note: The melody of this song is used in the 1971 ballet film, The Tales of Beatrix Potter)
- Act II
- Scene 1
- No 10 - With cards and dice - Chorus
- No 10a - Lute music
- No 11 - Though she should dance - Scene with Eastern Maidens - Saida, Philip, Chorus
- No 12 - I Love Thee - Duet - Laine and Philip
- No 13 - I'll tell them what thou wast - Laine, Saida, Philip, The Devil, Guntran, Three Lords, Chorus of Men
- Scene 2
- No 14 - Look Yon - Laine, Joan, Simon
- No 15 - I would see a maid - Simon and Joan
- No 16 - Haste thee! haste thee! - Simon, Joan, Saida, Laine, The Devil
- Scene 3
- No 17 - Up and Down - Jacqueline, The Devil
- No 18 - Finale Act II - There He Stands - Company
- Act III
- Scene 1
- No 19 Part 1- An hour agone 'twas the moon that shone - Laine
- No 19 Part 2 - The White Moon Lay on the Ruined Hay - Laine
- No 20 - Why dost thou sigh and moan? - Jacqueline
- No 21 - Mine, mine at last! - Saida
- No 21a - Offstage Song - With roses red they crowned her head - Laine
- No 22 - So all is lost for ever! - Scena - Saida and the Devil
- Scene 2
- No 23 - O'er Mirlemont City the banners - Chorus and Dance
- No 24 - Finale Act III - Hail to the lord of our land - Company
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Famous quotes containing the words musical and/or numbers:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, You who are so fond of hawthorns, look at this pink thorn, isnt it lovely?”
—Marcel Proust (18711922)
“Green grow the rushes-O
What is your one-O?”
—Unknown. Carol of the Numbers (l. 23)