The Twickenham and Apple Studio Recording Sessions
By the end of 1968, the Beatles' status as a group entity was in limbo. McCartney, who had unofficially assumed the mantle of leadership since Epstein's death, suggested a group project involving rehearsing, recording and performing the songs in a live concert. Though the recording sessions for the double album initially involved ensemble playing, the band was ill-prepared to settle comfortably back into this mode. Only eight days after rehearsals commenced, Harrison's frustration and resentment peaked and he informed his band mates that he was leaving. The combined patronising by McCartney and estrangement from Lennon had taken its toll. Thus, the band was on the verge of potential collapse and at an impasse. In 2003, Rolling Stone magazine cited a recording that exists from the Twickenham sessions the day after Harrison's departure in which Lennon suggested having Eric Clapton take over lead guitar duties.
Ultimately, complicated negotiations brought Harrison back into the group's activities. The plan for a concert was abandoned and the recording sessions were resumed at Apple Studios in Savile Row. The band gave its last public performance on the rooftop of Apple's headquarters on 30 January 1969 as a substitute for an audience-based concert.
Read more about this topic: The Beatles' Break-up
Famous quotes containing the words apple, studio and/or recording:
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—Edward A. Boyden, U.S. women’s magazine contributor. The Woman’s Magazine, pp. 423-5 (April 1888)
“Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor’s ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor.”
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“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
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