The Axeman in Popular Culture
In 1919 local tune writer Joseph John Davilla wrote the song "The Mysterious Axman's Jazz (Don't Scare Me Papa)". Published by New Orleans based World's Music Publishing Company, the cover depicted a family playing music with frightened looks on their faces.
The 1945 book Gumbo Ya-Ya, A Collection of Louisiana Folk Tales includes a chapter on the Axeman entitled "Axeman's Jazz", which helped spark renewed interest in the murders. The book also reproduced the cover of the 1919 sheet music.
Writer Julie Smith used a fictionalized version of the Axeman events in her 1991 novel The Axeman's Jazz.
The Axeman killings are also referred to in the short story "Mussolini and the Axeman's Jazz" by Poppy Z. Brite, published in 1997.
The Australian rock band Beasts of Bourbon released an album in 1984 called "The Axeman's Jazz"
In Chuck Palahniuk's 2005 novel Haunted, the Axeman is mentioned in Sister Vigilante's short story.
The 2007 song "Deathjazz" by Las Vegas progressive rock band One Ton Project parallels the story of the Axeman.
A sentence from the Axeman's letter to The Times-Picayune is spoken at the beginning of Fila Brazillia's song "Tunstall and Californian Haddock."
Read more about this topic: The Axeman Of New Orleans
Famous quotes containing the words popular and/or culture:
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
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