Production
In How to Build a Rocket: The Making of The Astronaut Farmer, a bonus feature on the DVD release of the film, screenwriters Michael and Mark Polish reveal they used their father as a role model for the character of Charles Farmer.
The space suit worn by Farmer is the same Mercury-era Navy Mark V pressure suit worn by all Mercury Seven astronauts prior to Mercury-Atlas 9. Additionally, the rocket featured in the film is a nearly-scale replica of the Mercury-Atlas that launched America's first astronauts into orbit.
The film's soundtrack includes "Rocket Man" by Elton John, "Luckenbach, Texas (Back to the Basics of Love)" by Waylon Jennings, "(Hey Baby) Que Paso" by Texas Tornados, "John Saw That Number" by Neko Case, "Stop the World (And Let Me Off)" by Dwight Yoakam, "Before the Next Teardrop Falls" by Freddy Fender, "List of Reasons" by Dale Watson, "I Made a Lover's Prayer" by Gillian Welch.
The film premiered at the 2006 Mill Valley Film Festival. Its February 23, 2007 theatrical release in the United States was three days after the 45th anniversary of the country's first orbital mission, Friendship 7, piloted by John Glenn.
When Thornton's character is being interviewed by Jay Leno during the closing credits, the studio audience members are not extras but the actual audience from that day's filming of The Tonight Show with Jay Leno.
Read more about this topic: The Astronaut Farmer
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)