Plot
The rocketship MR-1 (for "Mars Rocket 1"), returns to Earth after the first manned flight to Mars. Thought first lost in space, when the rocket reappeared, mission control couldn't raise the crew by radio. Its ground-crew land the rocket successfully by remote control. Two survivors are found aboard: Dr. Iris Ryan (Naura Hayden) and Colonel Tom O'Bannion (Gerald Mohr), his arm covered by a strange alien growth. The mission report is recounted by Dr. Ryan as she attempts to find a cure for Col. O'Bannion's arm.
While exploring Mars, Ryan was attacked by a carnivorous plant, which was killed by O'Bannion; They also discover, after mistaking its legs for trees, an immense bat/rat/spider creature, who is later repelled by a freeze ray fired by Weapons Officer Jacobs. When they return to their ship, the crew finds that their radio signals are being blocked and the MR-1 is grounded by a force field. O'Bannion leads the crew to a Martian lake with a city visible on the other side. They cross in an inflatable raft, only to be stopped by a giant amoeba-like creature with a single spinning eye. The creature kills Jacobs and infects O'Bannon's arm. The survivors escape to the MR-1 and starts liftoff. The survivors then return to Earth, where O'Bannon's infected arm is cured using electric shocks.
When they examine all of the data brought back by the expedition, the mission scientists find a recorded message. An alien voice announces that the MR-1 crew were allowed to leave so they can deliver a message to Earth. The Martians are watching human development and believe its technology has outpaced cultural advancement. They warn humanity to never return to Mars or Earth will be destroyed in retaliation.
Read more about this topic: The Angry Red Planet
Famous quotes containing the word plot:
“There saw I how the secret felon wrought,
And treason labouring in the traitors thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?1400)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)