The Angry Mob

"The Angry Mob" is a song by English indie band Kaiser Chiefs and is the title track to their second album, Yours Truly, Angry Mob. The name "The Angry Mob" is also the name of the band's fanclub and is possibly the inspiration for the band's blog. The song was released in the UK as the third single from Yours Truly, Angry Mob on 20 August 2007. The song discusses the way in which the media encourage knee-jerk reactionary thinking, and the conspiracy that society at large keeps people under control via the tabloids and 24-hour drinking culture.

The video was first shown at 23:00 on 23 July 2007 on Channel 4. It depicts the working-class hen-night culture and culminates in two separate hen parties coming together in a "gang war" style fight after they have been banned from a high-class restaurant 'NOBLESSE' at the request of the upper middle-class diners. The diners gather at the window to enjoy the spectacle of the two groups that have turned on each other, however the hens then decide to unite to confront the diners instead. The video was directed by W.I.Z.

The single came with special artwork created by Dandy/Beano artist Nigel Parkinson, and features caricatures of the band with various Beano characters. A limited 7" single containing an exclusive Beano poster, was only available through the Kaiser Chiefs website

Despite only reaching #22 in the UK Singles Chart (the lowest peaking single by the band since the original release of "I Predict a Riot"), it has received significant airplay on contemporary radio stations.

Read more about The Angry Mob:  Track Listings, Chart Performance

Famous quotes containing the words angry and/or mob:

    This is one of the stout-hearted old warriors: he is angry with civilization because he supposes that its aim is to make all good things—honors, treasures, beautiful women—accessible even to cowards.
    Friedrich Nietzsche (1844–1900)

    The apparent rulers of the English nation are like the imposing personages of a splendid procession: it is by them the mob are influenced; it is they whom the spectators cheer. The real rulers are secreted in second-rate carriages; no one cares for them or asks after them, but they are obeyed implicitly and unconsciously by reason of the splendour of those who eclipsed and preceded them.
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