Production
Traditional animation techniques were used on the series. The books were closely adhered to during all stages of production, with some frames from the original albums being transposed directly to screen. In the episodes Destination Moon and Explorers on the Moon, 3D animation was used for the Moon rocket – an unusual step in 1989. The rocket was animated in 3D, each frame of the animation was then printed and recopied onto celluloid and hand painted in gouache, and laid onto a painted background. The rocket seen in the title sequence is animated using 3D techniques.
Artistically, the series chose a constant look, unlike the books (drawn over a course of 47 years, Hergé's style developed throughout from early works like The Blue Lotus and later ones such as Tintin and the Picaros). However, later televised episodes such as the Moon story and Tintin in America clearly demonstrate the artists' development during the course of the series. The series was filmed in English, with all visuals (road signs, posters and settings) remaining in French.
Read more about this topic: The Adventures Of Tintin (TV Series)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)