Production Notes
The aforementioned Prof. Alyea (1903–1996), professor of chemistry at Princeton University, earned the nickname "Dr. Boom" from Russian observers of his demonstrations at the International Science Pavilion of the Brussels World's Fair in the 1950s, which had Walt Disney in attendance. Disney told Alyea that he had given him an idea for a movie, and invited Alyea to California to give a demonstration for actor Fred MacMurray, who later mimicked Alyea's mannerisms for the film. MacMurray would later state that he had never understood chemistry until his meeting with Alyea.
The special effects were created by Robert A. Mattey and Eustace Lycett, who were nominated for an Academy Award, and included the sodium screen matte process, as well as miniatures and wire-supported mockups. The film's "Medfield Fight Song" was written by Richard M. and Robert B. Sherman, their first song for a Disney feature.
Ed Wynn and son Keenan Wynn appear together in this film. The elder Wynn plays the Fire Chief (an inside joke, as Wynn hosted the popular radio program The Fire Chief for most of the 1930s). Keenan also played Alonzo Hawk in Son of Flubber and again in Herbie Rides Again (1974). In the bounce scene, Keenan's character called Ed's character a fathead. Keenan's son Ned also appears uncredited in a bit part.
Medfield College of Technology was used again as the setting for the sequel, Son of Flubber, as well as a later trilogy of Disney "Dexter Riley" films: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World, each starring Kurt Russell and Cesar Romero.
Read more about this topic: The Absent-Minded Professor
Famous quotes containing the words production and/or notes:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“The drama critic on your paper said my chablis-tinted hair was like a soft halo over wide set, inviting eyes, and my mouth, my mouth was a lush tunnel through which golden notes came.”
—Samuel Fuller (b. 1911)