The Texas Military Forces is the three-branch military of the U.S. state of Texas. It is composed of the Texas Army National Guard, the Texas Air National Guard, and the Texas State Guard. All three branches are administered by the state adjutant general, an appointee of the Texas governor, and fall under the command of the governor.
The Texas military was first established by Stephen F. Austin on February 18, 1823, under the authorization of the emperor of Mexico, AgustÃn de Iturbide, who directed Austin "to organize the colonists into a body of the national militia, to preserve tranquility," as well as to make war on Indian tribes who were hostile to newly established Texas settlements. All of the Texan militias would come under the command of Sam Houston during the Texas War of Independence between Texas and Mexico beginning in 1835 and ending in 1836 after Texas secured its independence to become the new nation of the Republic of Texas.
From 1836 to 1845, the Texas militias fell under the command of the president of the Republic of Texas. After Texas became the 28th US state in 1845, the state military and its various branches have fallen under the command of the Texas governor.
Read more about Texas Military Forces: Texas National Guard, Domestic Operations Command, Texas State Guard
Famous quotes containing the words texas, military and/or forces:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“I’m not a military man, Captain. War holds no romance for me. The side effects are repulsive.”
—Richard Bluel, and Henry Hathaway. Major Hugh Tarkington (Clinton Greyn)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)