Recording and Production
Since the first day of production largely involved setting up equipment, Texas Flood was recorded in two days. In early 1983, subsequent to the band's signing with Epic, they were given an advance of $65,000 to re-master the recordings. Vaughan's vocals were recorded at Riverside Sound in Austin, Texas. The album was mixed and mastered in New York City. The recordings were released as Texas Flood in June 1983.
Bassist Tommy Shannon recalls of the sessions, "It really was just a big warehouse with concrete floors and some rugs thrown down. We just found a little corner, set up in a circle looking at and listening to each other and played like a live band." Vaughan used two Fender Vibroverbs and an 150-watt Dumbleland Special owned by Browne. Engineer and co-producer Richard Mullen says of his production techniques:
| “ | Just one mic on everything. I used two Shure SM57s on his guitar amps—one on a Fender Vibroverb with a 15-inch Altec Lansing speaker, and one on a Dumble 4x12" bottom (with Electro-Voice speakers) connected to a Dumble head. Stevie played through two Vibroverbs, but I only miked one of the speakers in one of them. I positioned the mics about three or four inches off the cabinet at about a 45 degree angle to the cone. The only effect he used was an Ibanez Tube Screamer. | ” |
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—Richard Mullen, |
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