Plot
The book opens with Tex McCormick who is a happy go lucky 15 year old who loves horses, his brother Mace, living in a small town and Jamie the girl next door. Tex is growing up mostly with Mace in a small country home. Their mother died years before and their father goes off for months at a time leaving Mace, a senior and a star basketball player and Tex at home. At the start of the book Tex comes home to find the two brothers' horses sold. Negrito, Tex's horse, was always more of a human friend to Tex, so he is sad. However Mason had to sell the horses to guarantee Tex and himself would have enough to eat over the winter. This action by Mason, sets Tex against his brother most of the book.
But the McCormick brothers aren't alone. Living in the significantly larger ranch house next door (about a half a mile) are the Collins's, the family includes Mason's best friend Bob, Tex's best friend Johnny and the younger sister who Tex loves, Jamie. The Collins's however are forbidden to see Mace and Tex because the patriarch of the Collins family, Cole thinks they are a bad influence.
After a turn of events involving Tex and Mason's father, Tex runs away to the city with a family friend and eventually learns that just living life and staying with his brother is the best thing for him.
Read more about this topic: Tex (novel)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)