Tetsuya Chiba - Works

Works

Listed chronologically.

  • Chikai no Makyū (Weekly Shōnen Magazine, Kodansha, Jan 1961–Dec 1962, created by Kazuya Fukumoto)
  • 1•2•3 to 4•5•Roku (Shōjo Club, Kodansha, Jan–Dec 1962)
  • Shidenkai no Taka (Weekly Shōnen Magazine, Jul 1963-Jan 1965)
  • Harisu no Kaze (Weekly Shōnen Magazine, Apr 1965-Nov 1967)
  • Misokkasu (Shōjo Friend, Kodansha, Aug 1966-Aug 1967)
  • Ashita no Joe (Weekly Shōnen Magazine, Jan 1968-Jun 1973, written by Asao Takamori)
  • Akane-chan (Shōjo Friend, April 6, 1968-September 29, 1968)
  • Hotaru Minako (Weekly Shōnen Magazine, Sep 1972)
  • Ore wa Teppei (Weekly Shōnen Magazine, Aug 1973-Apr 1980)
  • Notari Matsutarō (Big Comic, Shogakukan, Aug 1973-Jun 1993 and Oct 1995-May 1998)
  • Ashita Tenki ni Naare (Weekly Shōnen Magazine, Jan 1981-May 1991)
  • Shōnen yo Racket o Idake (Weekly Shōnen Magazine, May 1992-Jun 1994)

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Famous quotes containing the word works:

    Your hooves have stamped at the black margin of the wood,
    Even where horrible green parrots call and swing.
    My works are all stamped down into the sultry mud.
    William Butler Yeats (1865–1939)

    The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.
    Elizabeth Barrett Browning (1806–1861)

    Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.
    bell hooks (b. c. 1955)