Terry Melcher - Career

Career

In the early 1960s, Terry Melcher and Bruce Johnston formed the vocal duet Bruce & Terry. The duo had hits like "Custom Machine" and "Summer Means Fun". Melcher and Johnston also created another group, The Rip Chords, which had a Top 10 hit with "Hey, Little Cobra". Later, Johnston would join The Beach Boys. By the mid-1960s, Melcher had joined the staff of Columbia Records and went on to work with The Byrds. He produced their hit cover versions of Bob Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn!", as well as their respective albums. Due to conflicts with the band and their manager, Melcher was replaced by Allen Stanton, although he would later work with The Byrds again on their Ballad of Easy Rider, (Untitled), and Byrdmaniax albums. Melcher also worked with Paul Revere & the Raiders, Wayne Newton, Frankie Laine, Jimmy Boyd, Pat Boone, Glen Campbell, Mark Lindsay and The Mamas & the Papas. He was instrumental in signing another L.A. band, the Rising Sons, led by Taj Mahal and Ry Cooder. Melcher also performed on the Beach Boys' platinum album Pet Sounds as a background vocalist, and introduced Brian Wilson to lyricist Van Dyke Parks in February 1966, beginning their partnership on the Smile project. Melcher was also a board member of the Monterey Pop Foundation and a producer of the Monterey Pop Festival in 1967.

Read more about this topic:  Terry Melcher

Famous quotes containing the word career:

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)