Terence of Pesaro - Veneration

Veneration

His body may been buried by Bishop Florentius of Pesaro outside of the city, close to Caprile, which ancient documents call the Valle di S. Terenzio. Another tradition states that his body was buried by a local woman named Theodosia. His relics were then translated to the basilica of San Decenzio (now the Chiesa del Cimitero centrale) before being translated in the sixth century to the new cathedral at Pesaro by Bishop Felix of Pesaro.

The relics, placed inititally in a crypt, were transferred by Giovanni Benedetti in 1447 to a large altar in which the relics were placed in a wooden urn, on which the aforementioned painter Bellinzoni depicted Terence. The urn is now found at the Museo Civico, in Palazzo Toschi-Mosca, and the relics themselves were translated to a new urn in a new cathedral chapel inaugurated in 1909, where the following inscription can be found: .

As a soldier saint, Terence is considered to have appeared twice in times of crisis, the second vision occurring on 9 June 1793, in the times of the Cisalpine Republic, when Pesaro was besieged by French troops: a horseman appeared on the walls of the city, accompanied by a woman dispensing munitions. The vision terrified the French so much that they abandoned their siege. In gratitude, Terence was officially proclaimed patron of the city on 20 March 1802.

Terenzio's most famous figuration in art is his minor appearance—as a young soldier saint—in a predella panel of Giovanni Bellini's "Pesaro Altarpiece", The Coronation of the Virgin (ca. 1475–80); in it Terenzio, as the city's patron, holds a model representing the Nuova Rocca, or Fortezza Costanzo, the citadel of Pesaro newly rebuilt by Costanzo Sforza.

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