Plot
On a bright and otherwise cheerful morning, Tenchi Masaki assembles his extended household in the backyard of the family home for a group photograph. To their confusion for the suddenness of this, Tenchi makes a shocking revelation: after careful thought, he has made up his mind to move to Tokyo for two years on behalf of his grandfather, Katsuhito, to train as a kannushi, so that he may better care for the family Shinto shrine. The reaction is a predictably devastating one, with Tenchi's father, Nobuyuki, even forcibly considered a replacement. His son's unyielding stance on the situation spares him the trouble, however, and with that the girls' come to terms with arrangements.
That afternoon, Tenchi and Katsuhito commute to Tokyo to meet with Dokuzen Tsuchida, the priest who the apprenticeship will be served under. After the two are sent to participate in an exorcism, which ultimately enlists the girls to perform, Tenchi goes to bed, ready to attend the school the following day. Much to the delight of Yugi, a supernatural child monitoring him high above the skies of the city, Tenchi takes a seat beside Sakuya Kumashiro, a girl who takes an almost immediate liking to him.
Read more about this topic: Tenchi In Tokyo
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)