Reception
Unlike the near universal praise for Concubine, Temptress Moon's reception abroad was considerably more muted. Critics praised the sumptuous visuals by Australian cinematographer Christopher Doyle, but also cited the confusing plot. Roger Ebert, in a typical review, noted "Temptress Moon is a hard movie to follow--so hard, that at some point you may be tempted to abandon the effort and simply enjoy the elegant visuals..." The New York Times also praised the film's sumptuous production values, but critic Stephen Holden also found the film to lack emotional weight, arguing that Temptress Moon ultimately "has the feel of a chic, kink-ornamented romantic pageant, unfolding at a distance."
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