Plot
Sylvia Chang plays a director who intends to make a romance film and begins to wonder about the role fate plays in relationships. She ends up re-examining her own first love in a completely different light. The story is set in two different periods of time, one in the 1970s where Gigi plays the teenage Xiao-rou, and the other in the 1990s where Sylvia plays the older Xiao-rou.
Takeshi Kaneshiro plays the role of a shy teenager, Ho-jun, who falls in love with Xiao-rou (played by Gigi Leung). Their relationship turns intimate but faces fierce objections from their parents. Karen Mok plays Chen-li, Xiao-rou's best friend, whom Xiao-rou confides in.
This teenage love soon fizzles out owing to misunderstandings and Ho-jun, after many years, turns to marry Chen-li. One day, Chen-li reveals that she is a lesbian and that they both love the same girl - Xiao-rou.
Ho-jun meets Xiao-rou on a trip to Japan and upon knowing that Ho-jun is already married, Xiao-rou returns home and gets herself engaged. Ho-jun manages a last attempt to reunite with Xiao-rou by flying to Hong Kong and telling her that he is already a divorcee, but it is to no avail.
Years later, Xiao-rou finds out that Ho-jun's wife was actually Chen-li. She discovers this only after Chen-li has died. Chen-li leaves a message for Xiao-rou asking her for forgiveness. As Xiao rou prepares to fly back to Hong Kong from Japan, she receives a present from Ho-jun. In the box were photographs, taken when Ho-jun was thinking about Xiao-rou and of their brief moments of happiness.
It is only at the end of the film when it is tactfully revealed that the director Sylvia Chang was actually re-enacting her own teenage romance.
Read more about this topic: Tempting Heart
Famous quotes containing the word plot:
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)