Style and Musical Genre
Coming from a family of folk musicians, Thompson has naturally drawn influences from folk-music into his own musical sound. While still a teenager he was listening exclusively to American music such as Chuck Berry, The Everly Brothers and Buddy Holly. Thompson also later stated that these artists are some of his main musical influences when he first started to write songs. Later when he grew up he began to listen more to contemporary pop music such as Crowded House, and his own musical style today is a mix of folk, country, rock and pop music. As he says himself:
". . country music was the music I was brought up on. It’s the music that’s closest to my heart and the music that speaks to me the most, and it’s always been a big influence on my own songwriting. I was obsessed with country music when I was a kid, and it’s definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I’ve always gravitated towards that feeling.In a video interview he says:
"I think my favorite pop song ever is this Elvis song called '(Marie's the Name) His Latest Flame' . . I don't know if it's the best song, but it's just the most perfect pop record I've ever heard. It's the most perfect arrangement, brilliant playing ... sounds phenomenal. As a little piece of pop history ... to create something that perfect, that simple, would be great."In addition to his tenor singing voice, Thompson plays both the acoustic and electric guitar, and occasionally the ukulele. He has a strong, versatile and expressive voice which he uses both in the higher and lower vocal range with ease, but he apparently prefers using his voice in the middle register while singing. He stated in an interview that his voice was "his only weapon so to speak" in the early years as a vocalist and musician playing in his father's backing band. It has been said that Thompson has inherited much of his singing voice from his mother. He has also been compared vocally to Chris Isaak and Justin Hayward.
On Thompson's 2011 release Bella many critics comment on the striking vocal resemblance to singer Roy Orbison on many of the songs, especially on "Take Me Back Again" and "Take Care of Yourself" which on the latter Thompson soars into a perfect falsetto at the end of the song evoking the late 1960's singer.
Read more about this topic: Teddy Thompson
Famous quotes containing the words style and, style, musical and/or genre:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)