Literary Style and Notable Works
Pradhan makes powerful use of hidden symbols and allusion in his literary compositions, which often champion the cause of the oppressed and downtrodden. As a translator of poetry, he usually strives to retain the exact music and rhythm of the original. His poems, essays, cartoons, sketches, caricatures and short stories have been published in a wide range of journals like Indian Literature (Sahitya Akademi), Journal of Poetry Society, The Statesman, Times of India, The Samaja, Without Reserve and The Asian Age etc. The most popular among his shorter literary pieces include "Two Women", "I, She and the Sea", "Orphan", "My German Friend", "A Cab for Seventeen", "A Taste for Rats", "Run up to Kill" and "How I Became A Writer", besides the dark full length play Victim Number Ninety-nine. It is difficult to objectively assess Pradhan's contribution to world literature, as a majority of his writings have been published either anonymously or under hundreds of different pseudonyms and are scattered over myriad obscure journals in different countries. He has made beautiful translations of Maupassant's little known rare poems from the original French to English. and also compiled a collection of rare folk songs from different countries. He is also rumoured to have translated a number of spiritual classics, including the books of Paramahansa Yogananda. A few of his early poems, written in his own name during his student days, are available on various websites.
Read more about this topic: Tapan Kumar Pradhan
Famous quotes containing the words literary, style, notable and/or works:
“In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.”
—Ishmael Reed (b. 1938)
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, cant get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 18811970)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you dont look too closely. Artists are cleaners, dont let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (18781953)