Gender Studies and Tang Poetry
There has been some interest in Tang poetry in the field of gender studies. Although most of the poets were men, there were several significant women. Also, many of the men wrote from the viewpoint of a woman, or lovingly of other men. Historically and geographically localized in Tang Dynasty China, this is an area which has not escaped interest from the perspective of historical gender roles.
Read more about this topic: Tang Dynasty Poetry
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“But there, where I have garnered up my heart,
Where either I must live or bear no life;
The fountain from the which my current runs
Or else dries up: to be discarded thence,
Or keep it as a cistern for foul toads
To knot and gender in!”
—William Shakespeare (1564–1616)
“The conduct of a man, who studies philosophy in this careless manner, is more truly sceptical than that of any one, who feeling in himself an inclination to it, is yet so over-whelm’d with doubts and scruples, as totally to reject it. A true sceptic will be diffident of his philosophical doubts, as well as of his philosophical conviction; and will never refuse any innocent satisfaction, which offers itself, upon account of either of them.”
—David Hume (1711–1776)
“A widow is a fascinating being with the flavor of maturity, the spice of experience, the piquancy of novelty, the tang of practised coquetry, and the halo of one man’s approval.”
—Helen Rowland (1875–1950)
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)