Culture
Tambacounda is famous for its rich djembe and dance culture and heritage. Some of the greatest djembe masters from Segu, Mali came to Tambacounda in the mid 1900's, bringing with them their history, knowledge, and secrets of the djembe. Its official language is French, but Wolof is more widely spoken in Sénégal.
Much knowledge of djembe history was transmitted directly to djembe master Abdoulaye Diakite by his master teacher Suncaru Jara. Suncaru Jara's teacher was Chebleni Traore, whose teacher was Numuni Traore, the first djembe master to bring the djembe out of Bamana secrecy, thus igniting the diaspora of the djembe.
The diaspora of the djembe also took place because there were too many djembe masters in Tambacounda at that time, pressuring some to move on to different towns or countries. Abdoulaye Diakite significantly influenced the diaspora of the djembe, first by touring worldwide with the National Ballet of Senegal for 18 years as their lead soloist, in addition to his later work in the 1990s running the Tambacounda West African Drum and Dance Camp.
In light of its rich cultural heritage and location, Tambacounda is today known as djembe "proving ground", since one never knows who might be passing through town. This has had the effect of keeping the local djembe players on their toes, by playing exactly as tradition dictates. Even in the face of globalization, the djembe playing has remained remarkably traditional in Tambacounda.
Read more about this topic: Tambacounda Region
Famous quotes containing the word culture:
“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“When a culture feels that its end has come, it sends for a priest.”
—Karl Kraus (1874–1936)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)