Later Years
At the end of her life she could reduce a crowded room to admiring silence merely by the manner of her entering it. Greatly under-used and neglected by the management of the Royal Ballet, she occasionally assisted with the revival of the ballets in which she danced, notably Spectre de la Rose, in which she coached Margot Fonteyn and Rudolf Nureyev. In 1959 she advised Sir Frederick Ashton on his important revival of La Fille Mal Gardée for the Royal Ballet, in which she taught him Petipa's original mimed dialogue for the celebrated scene When I'm Married, as well as his choreography for the Pas de Ruban - two passages which are still retained in Ashton's production.
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Tamara 1912
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Karsavina
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Tamara Karsavina's favorite jewel
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Tamara Karsavina In "L'Oiseau de feu" / Firebird (1910)
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