Modes
In the main game mode, player may choose a few other modes and difficulties to enhance gameplay, the modes are accessible via the options menu in song selection screen, as well as the difficulty, they are:
1. Auto (オート)
Let's the computer play and does a perfect full combo, but players won't be able to get any high score, symbolized by Mekadon.
2. Baisoku (ばいそく)
This mode can double the song's BPM and timing, it is symbolized by a tiger.
3. Sanbai (さんばい)
This mode can triple the song's BPM and timing, it is symbolized by a smiling tiger.
4. Yonbai (よんばい)
This mode can quadruple the song's BPM and timing. it is symbolized by a laughing tiger.
5. Doron (ドロン)
The notes become invisble with this mode enabled to any song, and thus leaving only katakana kuchi shoga words as cues, symbolized by a shuriken.
6. Kanpeki (かんぺき)
This mode enables the "perfect". Players will be required to get 100% to any song. and anyone who misses just one note will automatically stop the song instantly, it is symbolized by golden Don wearing a crown.
7. Abekobe (あべこべ) (unlockable)
This mode mode enables reverse mode, which allows the don (red notes) to kat (blue notes), while kat changes to don, it is symbolized by a purple taiko.
Read more about this topic: Taiko No Tatsujin
Famous quotes containing the word modes:
“Without any extraordinary effort of genius, I have discovered that nature was the same three thousand years ago as at present; that men were but men then as well as now; that modes and customs vary often, but that human nature is always the same. And I can no more suppose, that men were better, braver, or wiser, fifteen hundred or three thousand years ago, than I can suppose that the animals or vegetables were better than they are now.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Heaven is large, and affords space for all modes of love and fortitude. Why should we be busybodies and superserviceable?”
—Ralph Waldo Emerson (1803–1882)
“Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character of the speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.”
—Aristotle (384–323 B.C.)