Taiko - Related Terms

Related Terms

Bachi
Straight wooden sticks used to play taiko drums.
Ji
Also called Jiuchi, is a basic rhythm used to support the main rhythm, or the O-uchi. It can also be described as the meter or feel of a piece (being in a straight duple meter or having a swing feel). Some of the more common rhythms for ji are don doko, don ko, or don go (swing pattern). A Jikata is a performer who plays the ji rhythm.
Kizami
Straight simple meter.
Ukare
"Swung" compound meter.
Ma
A Japanese term that can mean "interval" or "space" (i.e., 「あ」という間; the space it takes to say 'あ'; compare "in the blink of an eye"). It is used in music to describe a period of silence. In taiko music, ma is the period between hits on the drum. It is important to appreciate this silence when playing taiko, just as you would appreciate the sound of a hit on the drum. Since ensemble taiko is focused on rhythm, the ma of a piece is critical to adding drama, excitement, and tension. Ma can be a rhythmic rest, or an extended silence, to be broken at the player's discretion. If the player concentrates on hearing the ma between each hit, in addition to the hits themselves, he or she will create a much more effective and satisfying sound. A good example of how ma is used is in oroshi.
Oroshi
Oroshi is characterized by a series of hits on the taiko. The player starts out slowly with lots of 'ma'(spacing). Gradually the 'ma' between each hit becomes shorter and shorter, until the drummer is playing a rapid roll of hits. In other words, a gradual increase in tempo.
Atarigane
A high pitched hand-held gong played with a small mallet and used to establish a common tempo. It is also referred to as a "kane" or "chanchiki," a name that comes from the kuchi shoga specific to this instrument.

Read more about this topic:  Taiko

Famous quotes containing the words related and/or terms:

    The near explains the far. The drop is a small ocean. A man is related to all nature. This perception of the worth of the vulgar is fruitful in discoveries. Goethe, in this very thing the most modern of the moderns, has shown us, as none ever did, the genius of the ancients.
    Ralph Waldo Emerson (1803–1882)

    Women have acquired equal place to man in society, but the double standard has really never been relinquished; certainly not by men. Modern man’s fear of passivity or of the active woman proves to be as eternal as modern woman’s struggle to come to terms with her femininity.
    Peter Blos (20th century)