Concept and Design
| "We were trying to come up with something that could hold its ground with the original Terminator. That was such an iconic figure- coming up with something that looked even more fantastic when next to the original Terminator was one of the biggest design challenges on the show." |
| — John Rosengrant |
The T-X was designed in Stan Winston studios, where it was considered particularly challenging to design, as the script required a character capable of holding its own against the original Terminator. Originally, the T-X's endoskeleton was meant to convey an androgynous shape which would permit the cyborg to assume the superficial traits of both men and women, though later designs veered on it being more feminine. The final, approved T-X design was done by Aaron Sims, who designed it entirely on computer through a mixture of Photoshop and 3D software. The T-X endoskeleton was painted chrome black, in order to differentiate it from the silver sheen of the T-800 endoskeleton. The T-X was also fitted with blue running lights, rather than the original's red. John Rosengrant later stated that the individual parts of the T-X endoskeleton were hard coated, sanded and polished through machines, resulting in a mathematically perfect model, unlike the endoskeleton in The Terminator, which was sculpted by hand and lacked symmetry.
The T-X is designed to not only terminate humans but also rogue Terminators reprogrammed by the Resistance, an "anti-terminator terminator" as stated by John Connor. It is a composite of the T-800 and T-1000, a solid endoskeleton covered with liquid metal "mimetic polyalloy", allowing it to take the shape of any humanoid it touches. Because it is only coated in this material, it is possible to remove it from the endoskeleton using immensely strong magnetic force, such as that from a cyclic particle accelerator. An onboard plasma reactor powers all of the T-X's systems.
Read more about this topic: T-X
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