Film and Television Discography
Project | Medium | Credit | Release Date |
---|---|---|---|
Inside Llewyn Davis | Film | Executive Music Producer | 2013 |
Nashville | Television | Executive Music Producer | 2012 |
The Hunger Games film score | Film | Executive Music Producer | 03/26/2012 |
Tough Trade | Television | Executive Producer, Music Producer, Composer | 2010 |
Crazy Heart | Film | Producer, Songwriter, Composer | 12/19/2009 |
Across The Universe | Film | Music Producer | 10/12/2007 |
All the King's Men | Film | Executive Music Producer | 9/22/2006 |
Walk the Line | Film | Executive Music Producer, Composer | 11/18/2005 |
Don't Come Knocking | Film | Executive Music Producer, Composer | 8/25/2005 |
The Ladykillers | Film | Executive Music Producer | 3/26/2004 |
Cold Mountain | Film | Executive Music Producer | 12/25/2003 |
The Divine Secrets of the Ya-Ya Sisterhood | Film | Composer | 6/7/2002 |
O Brother, Where Art Thou? | Film | Music Producer, Original Music | 12/22/2000 |
The Big Lebowski | Film | Musical Archivist | 3/6/1998 |
Roy Orbison and Friends: A Black and White Night | TV Special | Musical Director | 1/3/1988 |
Read more about this topic: T-Bone Burnett
Famous quotes containing the words film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“His [O.J. Simpsons] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)