Form
The form of the Seventh symphony is startlingly original. Since the time of Joseph Haydn, a movement in a symphony would typically be unified by an approximately constant beat and would attain variety by use of contrasting themes in different keys. Sibelius turned this scheme on its head. The Seventh symphony is unified by the key of C (every significant passage in the work is in C major or C minor), and variety is achieved by an almost constantly changing tempo, as well as by contrasts of mode, articulation and texture. Sibelius had done something similar in the Fifth symphony's first movement, which combines elements of a standard symphonic first movement with a faster scherzo. However, the Seventh symphony contains much wider variety within one movement.
Read more about this topic: Symphony No. 7 (Sibelius)
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