Structure
The work is in five movements:
- Trauermarsch (Funeral March). In gemessenem Schritt. Streng. Wie ein Kondukt (C-sharp minor)
- Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) (A minor)
- Scherzo. Kräftig, nicht zu schnell (D major)
- Adagietto. Sehr langsam (F major)
- Rondo-Finale. Allegro - Allegro giocoso. Frisch (D major)
The first two movements constitute Part I of the symphony (as designated by Mahler in the score), the long Scherzo constitutes Part II, and the last two movements constitute Part III.
The piece is generally regarded as Mahler's most conventional symphony up to that point, but from such an unconventional composer it still had many peculiarities. It almost has a four movement structure, as the first two can easily be viewed as essentially a whole. The symphony also ends with a Rondo, in the classical style. Some peculiarities are the funeral march that opens the piece (starting with a rhythmic figure that unmistakably references the opening notes of Beethoven's 5th symphony), and the Adagietto for harp and strings that interrupts the booming score.
A performance of the work takes around 70 minutes.
Read more about this topic: Symphony No. 5 (Mahler)
Famous quotes containing the word structure:
“... the structure of our public morality crashed to earth. Above its grave a tombstone read, Be toleranteven of evil. Logically the next step would be to say to our commonwealths criminals, I disagree that its all right to rob and murder, but naturally I respect your opinion. Tolerance is only complacence when it makes no distinction between right and wrong.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)
“Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.”
—Northrop Frye (b. 1912)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (18861965)