Movements
The work is in four movements and is scored for two oboes, bassoon, two horns (in E and G), continuo (harpsichord) and strings:
- Allegro con brio, 4/4
- Menuetto: Allegretto, 3/4
- Adagio, 2/4
- Finale: Presto, 2/2
The piece is typical of Haydn's Sturm und Drang (storm and stress) period. The first movement, which is in sonata form, begins with a four-note motif played in unison which occurs throughout the movement.
The second movement, unusually, is a minuet in E minor and trio in E major; thus the work is one of the few symphonies of the Classical era to place the Minuet second (others include Haydn's 32nd and 37th, and his brother Michael's 15th and 16th). The minuet is in the form of a "Canone in Diapason" between the upper and lower strings with the lower strings trailing the upper strings by a single bar. Haydn would later use a similar double canon with the lower strings trailing the upper strings by one measure in the famous "Witches Minuet" of his D minor quartet from Op. 76.
The third movement is slow, also in E major, and with strings muted. The finale, like the first movement, is in sonata form and is dominated by a figure which opens the movement in unison. It is quite contrapuntal, and ends in E minor rather than finishing in a major key as was usual in most other minor key works of the time (including Haydn's next symphony, the Symphony No. 45, The Farewell).
Since all of the movements have the same tonic, the work is homotonal.
Read more about this topic: Symphony No. 44 (Haydn)
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