Form
- Dreams of a Winter Journey. Allegro tranquillo
- Land of Desolation, Land of Mists. Adagio cantabile ma non tanto. This is an essentially monothematic structure, based on subtle gradations and variations on a single melody.
- Scherzo. Allegro scherzando giocoso. This was the earliest movement to be written. Salvaged from a piano sonata in C-sharp minor that he had written as a student, Tchaikovsky transposed the movement down a semitone to C minor and replaced the trio with the first of a whole line of orchestral waltzes.
- Finale. Andante lugubre—Allegro maestoso. Tchaikovsky uses the folk-song "Распашу ли я млада, младeшенка" (Raspashu li ya mlada, mladeshenka) as the basis for both the introduction and the second subject. This song also colors the vigorous first subject. Tchaikovsky had borrowed the folk-song motive into the prelude and the finale of his Cantata for the Opening of the Polytechnic Exhibition in Moscow 1872 (commemorating the bicentenary of the birth of Peter the Great).
Read more about this topic: Symphony No. 1 (Tchaikovsky)
Famous quotes containing the word form:
“Things base and vile, holding no quantity,
Love can transpose to form and dignity.
Love looks not with the eyes, but with the mind,
And therefore is winged Cupid painted blind.”
—William Shakespeare (1564–1616)
“In every form of womanly love something of motherly love also comes to light.”
—Friedrich Nietzsche (1844–1900)
“Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form—it may be called fleeting or eternal—is in neither case the stuff that life is made of.”
—Walter Benjamin (1892–1940)