Structure
The work has four movements (the last two being played without interruption) and is approximately half an hour in length.
- Allegretto - Allegro non troppo
- The work begins with an introductory Allegretto section, which is developed from a duet between solo trumpet and bassoon. This leads into the first subject proper, a lively march-like Allegro reminiscent of the vaudeville and theatre music Shostakovich would have encountered during his time as a cinema pianist. The second subject is ostensibly a waltz, but is in fact written in double-time, the flute melody finding its way round several sections of the orchestra. The development section features a return to mock-comic grotesqueries, although the sonata-form structure of this movement is entirely conventional.
- Allegro - Meno mosso - Allegro - Meno mosso
- In the second movement we are presented with a 'false start' in the cellos and basses before a frantic scherzo begins with the clarinet. The piano features for the first time with rapid scalic runs before a more sombre mood develops in the Meno mosso section. Once again Shostakovich writes a triple-time passage in two, with melodies being passed through the flutes, clarinets, strings, oboes, piccolos, and the clarinets again, while the strings and triangle play in the background. The bassoon brings us back to the Allegro of the opening. The climax occurs with a combination of the two melodies presented earlier in the movement followed by a coda which is announced by widely-spaced chords from the piano and violin harmonics.
- Lento - Largo - Lento (attacca:)
- The third movement begins with a dark oboe solo transferring to a cello solo, and proceeds to develop into a crescendo, featuring a quotation from Wagner's Siegfried. There is also a pianissimo passage for the strings which anticipates the passacaglia from the Eighth Symphony.
- Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio
- There is a drum roll attacca from the third movement into the fourth. After another sombre passage, the music suddenly enters the Allegro molto section with a very fast melody on the clarinet and strings. This reaches a furious climax, after which calm descends and we hear another Wagner quotation. The following Allegro section culminates in a fortissimo timpani solo, a rhythmic motif which featured in the third movement. A passage for solo cello and muted strings cleverly uses this motif along with several other elements, leading into a coda section which ends the work with rousing fanfare-like figures from the brass.
Read more about this topic: Symphony No. 1 (Shostakovich)
Famous quotes containing the word structure:
“A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.”
—Vladimir Nabokov (1899–1977)
“Women over fifty already form one of the largest groups in the population structure of the western world. As long as they like themselves, they will not be an oppressed minority. In order to like themselves they must reject trivialization by others of who and what they are. A grown woman should not have to masquerade as a girl in order to remain in the land of the living.”
—Germaine Greer (b. 1939)
“What is the structure of government that will best guard against the precipitate counsels and factious combinations for unjust purposes, without a sacrifice of the fundamental principle of republicanism?”
—James Madison (1751–1836)