Career
Kristel began modeling when she was 17. She entered the Miss TV Europe contest in 1973 and won. Multilingual, she spoke Dutch, English, French, German and Italian. Kristel gained international attention in 1974 for playing the title character in the softcore film Emmanuelle, which remains one of the most successful French films ever produced. After the success of Emmanuelle, she often played roles that capitalised on that sexually provocative image, most notably starring in an adaptation of Lady Chatterley's Lover (1981), and a nudity-filled biopic of the World War I spy in Mata Hari (1985). Her Emmanuelle image followed her to the United States, where she played Nicole Mallow, a maid who seduces a teenage boy, in the sex comedy Private Lessons (1981). Another mainstream American film appearance was a brief comic turn in the Get Smart revival film The Nude Bomb in 1980.
Although Private Lessons was one of the highest-grossing independent films of 1981 (ranking #28 in US domestic gross), Kristel reportedly saw none of the profits and continued to appear in movies and last played Emmanuelle in the early 1990s. In May 1990, she appeared in the television series My Riviera, filmed at her home in Saint-Tropez and offering insights of her life and motivations in an interview with writer-director Michael Feeney Callan. In 2001, she played a small role in Forgive Me, Dutch filmmaker Cyrus Frisch's debut. In May 2006, Kristel received an award at the Tribeca Film Festival, New York for directing the animated short film Topor and Me, written by Ruud Den Dryver. The award was presented by Gayle King. After a hiatus of eight years, she acted in the film, Two Sunny Days (2010), and that same year, she played the mother of the Trio Lescano in the TV series The Swing Girls.
Read more about this topic: Sylvia Kristel
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)