History
The origins of the Sydney Festival are in the Waratah Festival which was established in 1956 by the Sydney Committee and took place from late October to early November, coinciding with the blooming of the NSW emblematic flower the Waratah. It was an important cultural event which included a parade, a popular art competition, beauty contests, exhibitions, performances and the Lord Mayor's reception at the Sydney Town Hall.
Sydney Festival was established by the Sydney Committee, the NSW State Government and the City of Sydney with a view to attracting people into the city centre during the summer holiday month of January. In many ways it is probably still best understood as a celebration of Sydney and what the city has to offer. In the festival's early years, its program offered everything from vintage car rallies, face-painting and kite-flying to bocce, dog obedience trials and Chinese scarf dancing.
For three weeks, the festival offers a program of more than 330 performances and 100 events involving 900 artists from 17 countries, covering dance, theatre, music, visual arts, cross media and forums. In any given year, the program's diversity might include burlesque circus to New York rap to Russian theatre; from contemporary dance to family programs to traditional Indigenous arts practice. The festival uses at least 30 venues including the city's main theatre venues such as Sydney Theatre, Carriageworks, City Recital Hall and venues at Sydney Opera House and in Parramatta, as well as community halls, parks and the city streets themselves.
Sydney Festival presents a number of large-scale free outdoor events including the long-running Concerts in The Domain with, each attracting up to 60,000 people, a decrease from peaks of 80,000 people during earlier years. At its peak, it is estimated that the festival attracted 1.5 million people.
The Festival has a history of presenting Australian premieres and many of Australia's most memorable productions such as Cloudstreet have resulted from Sydney Festival's commitment to nurture local artists. It has brought many of the world's great artists to Sydney for the first time including: Ariane Mnouchkine and Thèâtre du Soleil (Flood Drummers), Robert Wilson (The Black Rider), Robert Lepage (Far Side of the Moon, The Andersen Project, Lipsynch), George Piper Dances, Netherlands Dance Theatre, James Thiérrée (Junebug Symphony, Au Revoir Parapluie), Philip Glass, Ian McKellen (Dance of Death), Batsheva Dance Company, National Theatre of Scotland (Black Watch, Aalst), Christopher Wheeldon Company, All Tomorrow's Parties, Al Green, Katona Jozsef Theatre, Bon Iver, Grizzly Bear, The National, Sufjan Stevens and Joanna Newsom.
A survey of 1,500 attendees conducted during the 2011 festival revealed that patrons mainly live in Greater Sydney (83%), with approximately 11,500 visitors from interstate and overseas attending festival events.
Not without controversy, the festival has faced challenges with profitability in its early years and was subject to a riot at a New Year's Eve concert at Sydney Opera House in 1980, when 68 people were arrested and 150 were taken to hospital; and criticism about the festival's artistic credibility.
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