Works
- The Sudden View: a Mexican Journey - 1953 - (republished as A Visit to Don Otavio: a Traveller's Tale from Mexico, a travelogue)
- A Legacy: A Novel - 1956 - her first novel, a work inspired by the early life of the author's father, which focuses on the brutality and anti-Semitism in the cadet schools of the German officer class.
- The Best We Can Do: (The Trial of Dr Adams) - 1958 - an account of the murder trial of suspected serial killer John Bodkin Adams
- The Faces of Justice: A Traveller's report - 1961 - a description of the legal systems of England, Germany, Switzerland, and France.
- A Favourite of the Gods - 1963 - a novel about an American heiress who marries a Roman Prince
- A Compass Error - 1968 - a sequel to the above, describing the love affairs of the granddaughter of that work's protagonist
- Aldous Huxley: A biography - 1973 - the standard, authorized biography of Huxley
- Jigsaw: An Unsentimental Education - 1989 - a sort of followup to A Legacy, this novel was inspired by the author's experiences living in Italy and France with her mother
- As It Was: Pleasures, Landscapes and Justice - 1990 - a collection of magazine pieces on various trials, including the censorship of Lady Chatterley's Lover, the trial of Jack Ruby, and the Auschwitz trial, as well as pieces on food and travel.
- Pleasures and Landscapes: A Traveller's Tales from Europe - a reissue of the above, removing the legal writings, and including two additional travel essays.
- Quicksands: A Memoir - 2005 - A memoir of the author's life, from her childhood in Berlin to her experiences in postwar Europe.
Read more about this topic: Sybille Bedford
Famous quotes containing the word works:
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
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