Reception
The film received a great deal of press initially because it featured Halle Berry's first topless scene. She was paid an extra $500,000 on top of her $2 million fee to appear topless in this film. Critics said the scene looked forced, thrown into the film just to garner press, but Berry said she did the topless scene knowing it was gratuitous, just to overcome the fear of appearing nude onscreen.
Only 26% of critics gave the film a positive review according to Rotten Tomatoes; the website's "Cream of the Crop" reviewers were even less positive. In a review for The New York Times, Stephen Holden wrote:
| “ | With its blasé blend of bogus international intrigue and action-for-action's-sake, Swordfish suggests a James Bond movie stripped of humor. True, there are a few moments of wit, like the opening sequence. But the dominant tone masquerading as humor is a snide, rancid nihilism devoid of laughs, unless wholesale destruction and gloating stupidity are what tickle your funny bone. | ” |
According to Box Office Mojo, the film grossed over $147 million in worldwide box office receipts on a production budget of $102 million. John Travolta's performance in the film earned him a Razzie Award nomination for Worst Actor (also for Domestic Disturbance).
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Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)