Sweet Sweetback's Baadasssss Song is a 1971 American independent drama film, written, produced, scored, directed by, and starring Melvin Van Peebles, father of actor Mario Van Peebles (who was also in the movie). It tells the picaresque story of a poor African American man on his flight from the white authority. Van Peebles began to develop the film after being offered a three-picture contract for Columbia Pictures. No studio would finance the film, so Van Peebles funded the film himself, shooting it independently over a period of 19 days, performing all of his own stunts and appearing in several unsimulated sex scenes. He received a $50,000 loan from Bill Cosby to complete the project. The film's fast-paced montages and jump-cuts were unique features in American cinema at the time. The picture was censored in some markets, and received mixed critical reviews.
The musical score of Sweet Sweetback's Baadasssss Song was performed by Earth, Wind & Fire. Van Peebles did not have any money for traditional advertising methods, so he released the soundtrack album prior to the film's release in order to generate publicity. Initially, the film was screened only in two theaters in the United States. It went on to gross $4.1 million at the box office. Huey P. Newton celebrated and welcomed the film's revolutionary implications, and Sweetback became required viewing for members of the Black Panther Party. According to Variety, it demonstrated to Hollywood that films which portrayed "militant" blacks could be highly profitable, leading to the creation of the blaxploitation genre, although some do not consider this example of Van Peebles' work to be an exploitation film.
Read more about Sweet Sweetback's Baadasssss Song: Plot, Production, Release and Alterations, Response, Legacy
Famous quotes containing the words sweet and/or song:
“Though news be sad, yet tell them merrily;
If good, thou shamest the music of sweet news
By playing it to me with so sour a face.”
—William Shakespeare (15641616)
“She sang a song that sounds like life; I mean it was sad. Délira knew no other types of songs. She didnt sing loud, and the song had no words. It was sung with closed lips and it stayed down in ones throat.... Life is what taught them, these Negresses, to sing as if they were choking back sobs. It is a song that always ends with a beginning anew because this song is the picture of misery, and tell me, does misery ever end?”
—Jacques Roumain (19071945)