Production
- Producers: Louis Biancaniello, Dave Deviller, Andy Goldmark, Dan Shea, Jamie Houston, London Jones, Robbie Nevil, Evan Rogers, Corey Rooney, Carl Sturken, Sam Watters, Eric Foster White
- Engineers: Steve George, Andy Goldmark, Scott Gutierrez, Al Hemberger, Ben Holt, Martin Horenburg, Hank Linderman, Glen Marchese, Tim "Flash" Mariner, Michael "Wolf" Reaves, Steve Smith, Paul Wagner, Eric Foster White, Rob Williams
- Assistant engineers: Jeff Gregory, Matt Martiensson, Ronnie Rivera, Jose Sanchez, Manelich Sotolong
- Mixing: Mick Guzauski, Tony Maserati
- Mixing assistants: Tom Bender, Jeff Gregory, Ben Holt, Ethan Schofer
- Editing: Jack Kugell
- Production coordination: Kim Gorham, Collen Reynolds
- Production coordination assistant: Andrea Derby
- Programming: Louis Biancaniello, Dan Shea, Dave Deviller, London Jones, Eric Foster White
- Drum programming: Iki Levy
- Arranger: Dave Deviller
- String arrangements: Graeme Coleman
- Art direction: Ron Jaramillo
- Design: Ron Jaramillo
- Photography: Alberto Tolot
- Stylist: Rachel Zoe
- Hair stylist: Ken Paves
- Make-up: Francesca Tolot
Read more about this topic: Sweet Kisses
Famous quotes containing the word production:
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)