Commercial Tie-ups and Theme Songs
Many songs of this album were used as themes songs for movies or dramas and commercials, or were simply used to promote the album itself.
Let's Do the Motion was a special avex commercial to promote the album.
Private was the theme song of four ad campaigns for the Nissan cars.
Body Feels Exit, the first single released from the album, was used in eight Taito X-55 TV ads as the image song. Amuro appeared in some of the commercials.
Chase the Chance, the album's second single, was the theme song of the drama the The Chief, that was broadcast on Nihon TV.
Don't Wanna Cry was the CM song of two commercials for the DyDo Mistio Soft drinks. I'll Jump was also used in a commercial for the brand. Amuro appeared herself in the two commercials promoting the brand.
You're my sunshine was the theme song of the three commercials for the Sea Breeze products. The first ad was promoting a sun lotion, the second a shampoo and the last a deodorant. It was also used in commercial for the "Digital Dance Mix", a video game developed and published by Sega. Namie is the main character of the video game.
Joy was used in a commercial for the Maxell UD2 as its image song.
The title track, Sweet 19 Blues, was choose as theme song of the teenage Japanese movie That's Cunning!: Shijousaidai no Sakusen, which Namie starred in as the lead female role, and was available on the film's soundtrack. The singer appeared at the movie premiere in Japan. The song was also used to promote the Namie Amuro World '96 home video.
Read more about this topic: Sweet 19 Blues
Famous quotes containing the words commercial, theme and/or songs:
“From a commercial point of view, if Christmas did not exist it would be necessary to invent it.”
—Katharine Whitehorn (b. 1926)
“One theme links together these new proposals for family policy—the idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.”
—Joseph Featherstone (20th century)
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)