National Romantic Style and Jugendstil
At the end of the 19th century and the beginning of the 20th century a new generation of architects emerged who turned away from historicism and classicism. On the one hand they absorbed influences from abroad, e.g. the Jugendstil execution of the Royal Dramatic Theatre in Stockholm, on the other hand they looked for precedents in Swedish cultural history and Swedish building traditions. From this search they developed the National Romantic Style, which took the cultural and building precedents and merged them with ideas from the English Arts and Crafts Movement to create a very distinct Swedish architecture often in brick and wood. Carl Westman's Swedish General Medical Association building in Stockholm was one of the first buildings built in the style, with the Röhss Museum in Gothenburg and Stockholm Court House providing two further examples. The crowning achievement of the National Romantic Style is however Stockholm City Hall, designed by Ragnar Östberg and built between 1903 and 1923.
Gustaf Wickman dedicated himself to a task of a different nature, he built the entire city of Kiruna within 3 decades in an uninhabited wilderness. After a rich source of iron ore was found and a railway line built, Witman was charged with the design of the city. Within a few years he had completed the design and construction of the directors and engineers Villas, the worker's housing, offices, schools, a hospital, a fire station, the post office and bank, and a swimming pool. Amongst his best work is the Kiruna Church designed in the National Romantic style. Its timber construction demonstrates and connects the influences of Norwegian Stave churches and American architectural traditions.
Read more about this topic: Swedish Architecture
Famous quotes containing the words national, romantic and/or style:
“Prestige is the shadow of money and power. Where these are, there it is. Like the national market for soap or automobiles and the enlarged arena of federal power, the national cash-in area for prestige has grown, slowly being consolidated into a truly national system.”
—C. Wright Mills (19161962)
“Personally, I cant see why it would be any less romantic to find a husband in a nice four-color catalogue than in the average downtown bar at happy hour.”
—Barbara Ehrenreich (b. 1941)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (19031974)